Massive attack12/26/2023 PLEASE FIX this bug!! And please allow us to “unclaim” or turn off the rewards so our heroes will go back to normal. ![]() I really don’t want to restart the game for a 3rd time. ![]() I really loved this game when I first started playing it, but this has made me want to stop playing. Bad idea! AGAIN, my primary pistol damage reset back to as if my hero was level 1 (and my hero is actually upgraded to Level 41)!! This was extremely disheartening, and now I may be forced to delete the app AGAIN and start over AGAIN. I eventually built my way back up to a high stage and high hero level, and decided to give the AK Laser daily reward a try. I had to delete the game and restart all the way from the beginning. Now I’m at a high stage and my pistol has reset to basically 0 damage, because I claimed the shotgun. Up until this point, I had massively upgraded my hero and beat many stages. Overall, don’t waste your time, there are similar games out there that don’t have these issues.ĭO NOT claim the daily rewards such as the Shotgun and AK Laser because they will nuke your primary pistol, and you cannot undo it!! The damage of my pistol basically reset to level 1 after I claimed these rewards. I get that the studio makes money off of add revenue, but when you sacrifice your games playability to bombard people with adds, it’s a little ridiculous. When the adds pop up you’ve also got a 50/50 chance of it freezing in the add, forcing you to close out the game, which then restarts you at wave 1, super annoying when you’re almost done with the final wave. It’s nice that they let you skip the add after about 5 seconds, but you get forced into one after every 45-60 seconds. Getting surrounded by a mob but have a chance to get out? Nope, add pops up and you end up getting surrounded when it’s done. Massive Attack are an English trip hop group formed in 1988 in Bristol, consisting of Robert 3D Del Naja, Grant Daddy G Marshall and formerly Andy. These people are leeches, don’t bother with any of their content.ĭecent concept, but it forces you into watching adds at the absolute worst moments. However, when buying the “no adds” feature what you actually do it put your hard earned money into the developers pockets and are rewarded with an increased frequency of forced adds. Sure it’s only $3 dollars, I liked the concept of the game enough to purchase it. Don’t waste your time purchasing the no adds feature. ![]() The UNFCCC Climate Champions call on other music artists, touring companies, promoters, agencies, venues and practitioners to join the Race to Zero, via one of the official partner initiatives or, for organizations under 500 employees, via the SME Climate Hub.UPDATE: I didn’t think I’d have an update within 20 minutes. Massive Attack V Adam Curtis is commissioned by Park Avenue Armory, Manchester International Festival, and Ruhrtriennale International Festival of the Arts. Tyndall analysts also issued a warning in relation to the widespread use of carbon offset schemes across the live music industry, stating that these measures should be seen as a last resort and “only done where further reductions in emissions are not possible.”Īs the music world absorbs and responds to the positive challenge of the decarbonization roadmap, Massive Attack are not only introducing innovative technological partners and planning methods into their 2022 tour they have also become the first artists globally to commit their touring company to the Race to Zero programme, making plain and transparent their commitment to zero carbon operations. In addition to the specific areas to be tackled, the roadmap offers cultural direction to all identities within the live music world – artists, managers, agents, promoters, and festival owners – if these incredibly popular events are to play their part achieving zero carbon status, stating that: “Super low carbon needs to be baked into every decision – routing, venues, transport modes, set, audio and visual design, staffing, and promotion.” The roadmap is not prescriptive but rather offers a sense of the scale and urgency of emissions reductions that are both possible and required with the aim of acting as a catalyst for the creativity of the sector to be unleashed to meet this significant challenge. It deals with high visibility issues such as outdoor diesel power and the use of private aviation across the sector and offers targets and resolutions in all areas of GHG emissions generation, including energy use at indoor and outdoor shows, the surface travel of artists and equipment and, quite crucially, the field of scope 3 emissions such as audience travel - which create an enormous amount of all emissions associated with major live music events. The report is clear, direct, and highly transferable. That work was completed and published during summer 2021, generating serious interest, debate and engagement.
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